Into the Dim opens with an intriguing mystery that readily captures the reader’s interest. Among the characters the reader’s initially introduced, it’s only the protagonist, Hope, who holds fast to the belief of solving it. A visit to an estranged aunt in Scotland unwittingly places Hope into a position to gain the answers she’s long sought, and even lead her to a few revelations that she little expected or even dreamed were possible.
Time travel and interactions with the past can make for an exciting and intriguing read. However here, the drama and mystery that is introduced quickly falls away into campy cartoonish action. When reading the interactions that take place amongst the adult and teenage characters, it is rather difficult to identify a mature voice—a voice of reason. The dialogue makes the various arguments that arise seem quite naive and even theatrical. This is especially true for the story’s antagonists.
Taylor also tends to overuse the “‘I need to tell you something important!” […] ‘Not now!’” interaction with her characters. Though it is meant to provide comic relief, it cuts the drama in the extreme. Moments where time is of the essence are drawn out with silly, unnecessary conversation and inaction, while instances where there is time to speak and divulge secrets are full of missed opportunities.
Yet though it might seem that this novel solely focuses on levity, the novel also describes situations that might be more appropriate for mature readers, namely attempted rape and descriptions of physical abuse. Into the Dim is a novel best suited for readers seeking comical fantasy entertainment. Those seeking a new twist to a more traditional historical novel with drama and intrigue might find this novel somewhat disappointing.
Copy provided by NetGalley